First, Gigi Darlene learns that BAD GIRLS GO TO HELL when she's attacked by a janitor with bad teeth, accidentally kills the guy, then flees to New York...where her troubles really begin! With it's crazed plot, rampant nudity, and predatory sex maniacs, this is one of director Doris Wishman's wildest "roughies.”

ANOTHER DAY, ANOTHER MAN Ann, a "Miss Prim" with a giant hairdo, doesn't approve of her friend Tess's employer, Bert the pimp. But when Ann's Husband suddenly gets a mystery illness, Ann has to find some way to pay the bills and, yup, quickly becomes one of Bert's girls...With a tragic ending and camera work that seems to be constantly distracted by inanimate objects, this is signature Wishman sleaze.

Also stars Gigi Darlene as a hooker whose hayseed boyfriend gets manhandled by sexy twins Rita and Darlene Bennett.

BOING! So now you've got the first black gang movie, with tits n' marijuana and Rita Moreno, and also Dyan Cannon in what has to be her first film (the books say LEGS DIAMOND but I think it's this one). BLACKBOARD JUNGLE meets THE SMUT PEDDLER only begins to describe this non-stop stunner" –-Johnny Legend

Sandra Sinclair is taking a bath when a madman with a machete abruptly borrows one of her legs. The killer, Fuad Ramses (Scum of the Earth’s Mal Arnold with absurd painted on, eyebrows), is then hired by Mrs. Fremont (who’s supposed to be affluent but wears thrift store rejects) to cater a party for her daughter, Connie Mason (“Playboy’s Favorite Playmate!”). “Have you ever had an Egyptian feast?” Fuad practically spits in her face. The feast prepared with the brains of a gal making out on the beach, a tongue yanked out of the mouth of Miss Astrid Olsen, and some other assorted other body parts including a leg and two breasts cooked in a pizza oven. One of the two heroes on the killer's trail couldn’t remember his lines so reads them off the palm of his hand. Catching everyone by surprise, Blood Feast was an enormous grind house hit. From the original 35mm negative. With William Kerwin, Connie Mason, Mal Arnold, Sandra Sinclair

Bordered by mountains and desert, the small town of Cicada is a "lost paradise" of poverty and racial tension in which the black population is forbidden to pass through the center of town from sundown to sunup. The town is hilariously introduced by having a somewhat uncomfortable tour group visiting the town's meager highlights; the store "owned by a Chinaman" and the combination whorehouse and bar. The tour includes a stop in front of a window where the group can peep in on horny Dora and Ed going at it, until the hostile locals make the tourists so miserable that they flee in their bus.

Things turn nasty when lily-white Bob, a 20-year-old Army veteran, asks lovely black-skinned Bessie to the Saturday night dance and the other whites all boycott the dance, leaving Bob and Bessie to dance to an all-black, all-shirtless jazz quintet. Then Bob is attacked by some bigoted thugs and a hooker blames the attack on the black people. Before long, a lynch mob is looking for someone—anyone—to hang, and almost strings up Bob until — get this — he throws his fake leg at them!

As a race war continues to look imminent, Bob's dad tries to seek help from a town across the desert while Bessie's cousin tries to prevent him from getting there. Instead, the two men discover a little desert secret that could change life in Cicada forever."

From the first shot of a little boy casually kicking a skull through the center of town, to its surprisingly upbeat ending, what is perhaps most interesting about Checkerboard is that it takes the ugliness of racism and prejudice and wraps it all in a tall tale that plays like an oddly whimsical fable. Made in 1959, Checkerboard wasn't shown in the U.S. until ten years later when it was released through Stan Borden's notorious American Him Distributing Corporation, the company responsible for such sick titles as All Women Are Bad, Olga's House of Shame, and She Came on the Bus. And while Checkerboard may indeed seem like a strange title to come from Stan, he also had a fondness for French imports and sent out such Gallic sexploitation as Paris Ooh-La-La! (1963), A Mistress for the Summer (1964), Five Wild Girls (1966), Sellers of Girls (1967), and another racially-charged sex saga, My Baby is Black! (1965).

Emergency room nurse Coffy is on a vigelantte rampage against the criminals who got her sister hooked on drugs and left her in a coma. And how! Replete with plenty of sex, a girl-fight that leaves the losers topless, car chases and shootouts aplenty, and relentless visceral violence. Sid Haig drags a pimp behind a speeding car. Pam Grier runs a guy over, blasts one in the groin with a shot-gun, gives a guy a heroin OD, and blows a guy's head apart like a melon.

She's the ultimate tough and sexy heroine. She's Soul Cinema superstar Pam Grier and whether delivering her justice with a shotgun a razor or just her bare hands she doesn't miss a beat in this "smashing no-holds-barred tale of retaliation" (Variety)! Nobody ever commandeered the screen quite like Pam Grier...and Coffy "couldn t be better! It's one of the most entertaining movies ever made"(Quentin Tarantino)! Grier is Coffy nurse by day and avenging angel by night. When she discovers that her little sister has been doped up and freaked out by a greedy drug pusher she not only puts an end to his miserable days but she vows to follow his trail of corruption up to the top the very top. But what Coffy doesn't realize is that all is not as it seems and that the leafy green behind the pushers' scene just may come from someone she knows!

Scream Of The Butterfly (1965, 76 Minutes) Two days after marrying rich Sap-of-the-Year Paul Williams, bosomy sex-machine Marla is making it with a "young Adonis" on the beach and planning on killing Paul until–oops!–some surprising-for-its-time homosexuality twists the plot into a kinky pretzel! With photography from cult fave Ray Dennis Steckler (Wild Guitar) and one of the sixties' most cynical endings, "Scream of the Butterfly" also marks the first time in cinema history that the leading lady is referred to onscreen as "Miss Slutsy-Wutsy."

"In 1970’s France, two young convent girls become friends and decide to spend the summer together. However, their innocent bicycle rides and walks in the country soon develop a much more sinister side."

"Influenced by their reading of forbidden books, they decide to explore the world of perversion and cruelty. They find a victim and use their innocent exterior to seduce and destroy him. Once they have stepped over the line, they find it impossible to stop. And soon they are contemplating the ultimate evil act. Hugely controversial, the film was banned for blasphemy and has never been released in the US before. It’s a film that should be viewed only by those with very open minds."

"The disc includes three documentray extras. The first is an interview with the film’s writer/director Joel Seria. He explains how he entered the business and where he got the idea from for this, his first feature film. He explains the motivation behind the film and talks about the controversy that it aroused. The film was banned in France for nearly a year and had to be cut before release.

The second interview is with one of the film’s two female leads – Jeanne Goupil. This was her first film and she explains how she got the part and the political convictions that powered her performance. She also discusses the complex sexual and moral issues raised by the film and how she dealt with them.

The third documentary is an interview with British crime expert Paul Buck. He talks about how he first came across the film and its connection with the true life murder case that also inspired Peter Jackson’s 1995 film Heavenly Creatures. Paul goes on to discuss the issue of female murderers and couples who kill."

"Dumped by her no-good fiancé, then used and abused by an awful country western lounge singer, cocktail waitress Sandy (NESA RENET) tries to commit suicide. Luckily, she's save by Libby (Adamson's then-wife REGINA CARROL, wearing her customary enormous blonde hairdo, as well as an outrageous pair of baby blue bell-bottoms) who tells Sandy that she belongs to a group of girls who "have all been through the same things you have." Blindfolded and driven to a ranch in the middle of the desert, Sandy meets THE FEMALE BUNCH, a gang of tough but beautiful women ruled with an iron hand by Grace (JENNIFER BISHOP), who forbids the presence of men on the ranch save for Monty (poor old LON CHANEY JR., his voice almost gone due to a cancer-ridden throat), a former movie stuntman now taking care of the girls' horses."

"After an initiation ritual, Sandy saddles up with the bunch who ride into Mexico, invade a scuzzy bar, and make out with the local cretins. Grace also meets her drug connection to pick up a supply of heroin. But when Bill (RUSS TAMBLYN, first seen taking a leak) and his buddy Jim (GEOFFREY LAND) sneak onto the ranch, Bill has his forehead branded with a hot iron, while Jim escapes with Sandy, who's quickly grown scared of the group. Escaping in Libby's sports car, Sandy and Jim find themselves being pursued across New Mexico by the bad-assed bunch…"

Although filmed in 1969, THE FEMALE BUNCH spent two years on the shelf before seeing the light of day. In addition to containing the final (and it must be said, sadly pathetic) appearance by Chaney Jr., it's exteriors were filmed and the infamous Spahn Movie Ranch only months before Manson and his Family would make worldwide headlines. Of course, the exploitation business being what it is, when THE FEMALE BUNCH was finally released in 1971, the Manson connection was proudly stressed in its publicity campaign. In fact, according to Assistant Director John "Bud" Cardos (who would later helm such enjoyable grade-B fare as Kingdom of the Spiders and Mutant), one of the Manson Family members actually worked on the film as a grip. (Cardos later spotted him on TV new coverage of the trial where he gave evidence and a witness for the prosecution.) Product Details SKU: 3827 Weight: 0.25 lbs Format: DVD-R Year: 1969 Runtime: 90 Color: Color Starring: Lon Chaney Jr Co-starring: Russ Tamblyn Other cast: Jennifer Bishop Directed by: Al Adamson

She's brown sugar and spice…and if you don't watch it, she'll put you on ice! Delivering a performance worthy of "the Queen of the genre" (Los Angeles Times), Grier portrays one of the screen's first action heroines with humor, sensitivity and steely determination.This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady.

Foxy Brown (Grier) has found her soul mate in an undercover narcotics investigator, but when he is brutally murdered, she swears vengeance against the crime ring responsible.Posing as a call girl to gain access to the ring's inner circle, Foxy discovers just how high the corruption extends, igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking mid-air battle behind the controls of an airplane!But the most startling confrontations are yet to come, as she schemes to bring down her boyfriend's killers in ways they never could have imagined.