"Ruby is a hot young thing looking for kicks and raunchy pleasures anywhere she can find them. First it's with Johnny the Pusher, and she uses her tight little body like a knockout punch - exhausting him into unconsciousness with a delirious bout of lovemaking. With Johnny's stash now easy for the picking, Ruby wanders off to her next adventure clad in a pharmaceuticals-induced haze and thigh-high vinyl boots. She quickly makes the acquaintance of Misty, and the two of them hit it off in an orgasmic blur of chemical stimulation, lingerie and quivering excitement. But too much is never enough for these luscious young things, and Misty high-tails it in search of another bag of goodies. Feeling abandonned, Ruby gives a holler to her dealing strip-club friend Darian, and the two of them indulge their habits."

This Uncut Theatrical Version is partnered a 2002 remake written & directed by and starring Misty Mundae (Play-mate of the Apes) with Ruby LaRocca (Satan's School for Lust) and Darian Caine (Gladiator Eroticus).

Secret Key Motion Pictures is thrilled to bring you SKIN IN THE SIXTIES - a collection of rare and forgotten grindhouse films featuring the never-before-released THE MADAM, starring legendary buxom bombshell Uschi Digard.

THE MADAM (1969) starring USCHI DIGARD. A biker, John, gives a ride to a hippie named Sissy, who offers the down-and-out drifter a job as bartender at her mother's motel. John quickly discovers the motel is really a brothel and Sissy's mom is the "Madam."

L'AMOUR DE FEMME (1969) Directed by NICK PHILIPS starring MALTA. Lenore and Suzanne are swingin' 60s chicks who share a swank apartment and a Lincoln Continental financed by their rich, bankrolling daddies. Not having to work gives them plenty of time to share their beds, too, and they make the most of that time and their lesbian inclinations by indulging in all manners of kinky eroticism.

TAKE THEM AS THEY ARE (1969). Do drugs, have sex, go to jail. That's the socially redeeming message and cautionary lesson put forth in this torrid tale of three horny, young couples who just can't say "No!" to drugs.or good, clean, orgiastic fun.

"Roxanna knows who she wants, what she craves, and how to get it, and nothing or no one is going to stop her. She spends her nights and days experimenting with her sweet young body - satisfying a hot erotic appetite with an endless parade of female lovers. But Roxanna's obsession with exquisite and limitless pleasures of the flesh begins to take over her life, and soon lesbian desires surge beyond her control. Naughty fantasies become mouth-watering reality, and Roxanna loses herself completely to this world of delectable sin. With the final realization that she has taken things too far - farther than her mind and body can handle - Roxanna must come to terms with her insatiable libido, or face the devastating consequences."

"Rare and Forgotten "Grindhouse" Cinema from the Sixties and seventies including UTA - LUSTFUL NEIGHBORS - THE PIMP PRIMER. BRAND NEW DIGITAL TRANSFER FROM 35mm FILM PRINTS

Durning the early days of adult cinema, formerly unrentable retail stores became "storefront theaters." A plywood partition was built to house the projector, the back wall was painted white or a sheet hung up, a few dozen folding chairs were lined up, and the windows were blacked out. Usually a window had something on it to entice you in - a painted silhouette of a naked woman or a glaring cheap sign, framed out in yellow light bulbs.

Now, After Hours Cinema and Secret Key Motion Picture are going to give you the "Grindhouse" storefront theater viewing experience in the GRINDHOUSE TRASH COLLECTION: Three grimy softcore gems from the late 1960s, Nick Philips' UTA (1968), THE LUSTY NEIGHBORS (1971) and THE PIMP PRIMER (1971). Look for adult screen icons John Holmes and Uschi Digard in early screen roles!

21-year-old Suzanne Fields (a.k.a. Cindy Hopkins) was a mainstay of erotic and adult films in 1972. She never reached the superstar status of a Linda Lovelace or Marilyn Chambers, but in many ways she shined above her superstar co-stars with her girl-next-door looks and irresistible charm. Suzanne appeared in high-profile films like Run Jackson, Run and the 3D classic The Stewardesses, but she is best remembered for her role as "Dale Ardor" in the epic erotic sci-fi spoof Flesh Gordon. After Hours Cinema has assembled a rare collection of adult features starring Suzanne Fields, including the ultra-rare Nick Philips' film, GUNILLA - never before released to home video!

GUNILLA (1971) Directed by Nick Philips. Like all Nick Phillips explicit films this feels different than the run of the mill. Gunilla Ericsson is a young, beautiful Swedish girl recently dumped by her female lover for a French blonde. Hopping a plane for the fun, sun and snow of the mountains of northern California, the naughty nineteen-year-old and sexy ski bunny spends her days indulging her deepest erotic fantasies. Gunilla has a kinky love of leather boots, which she uses to bring herself to heights of orgasmic pleasure. When going solo leaves her drained, Gunilla likes to watch, too, and she quickly discovers the nearest hetero couple engaged in some fun of their own. But men are strictly a curiosity for the sex-starved Gunilla, so she hops on a ski-doo and combs the slopes for a willing lesbian lovely. Marlene is her catch of the day, and the sexy older and experienced woman teaches Gunilla a thing or two."

THE MINDBLOWERS is something to see. It's some kind of art film. not great art, but it has a zany underground feel to it. Most of THE MINDBLOWERS appears to have been shot as SOFT-X which makes it more entertaining. You don't know from scene to scene whether people will be simulating or doing it. Includes a particularly odd lesbian three-some where a woman goes to pieces when she walks in on her two friends having sex. She is shocked beyond shock and cries and cries, so her two friends try to comfort her in adult film fashion.

The highlight of FANCY LADY is when Digard peeps through a cracked door at a lengthy love-making session. Throughout the entire scene there is a very cute cat on the bed that wanders back and forth taking some sort of interest in the proceedings, making the feline very much a third character and kind of steals the scene. (We know exactly what the couple will do next but the cat is a wild-card so we end up watching the cat.)

FANCY LADY (1971) stars Uschi Digard and Lynn Harris. Directed by Nick Philips. Writer Karin Nykquist (Uschi Digard) has just arrived in San Francisco from Copenhagen. Her mission - an in-depth article comparing the sexual climates of the two cities. Karin states that her home city is infamous for its, ".Free Love, female nymphos, male libertines and pornography," and she secretly hopes to find San Francisco just as inviting. Visiting a grindhouse theater for a little midday delight (and research!), Karin is thrilled to see a movie featuring two eager women clad in thigh-high leather boots, cavorting in a park and taking their passions to sensual and ecstatic heights. We discover that Karin had her own lesbian encounters as an impressionable nineteen year- old - ripe with the desire to experiment with her nubile and luxurious body. Next, Karin visits a young American couple that had recently visited Copenhagen. Finding them in their apartment putting on quite a show, Karin acts the voyeur and takes in all the carnal sights and sounds while keeping her notebook busy. And when night-time arrives, turned on by the day's erotic events and with an ample body craving satisfaction, Karin needs to experience the kinds of orgasmic pleasures that only she can deliver.to herself.

"Globe trot to the most exotic and erotic hot spots in the world in this trippy, mod era voyeuristic voyage! In Denmark, eavesdrop on sexual freedom in action! See a bizarre lesbian queen and her love slave! Travel to the French Riviera where fun in the sun leads to boudoir decadence! Finally, the odyssey of lust brings you to Spain where a young woman witnesses a savage bullfight, inspiring her to take the next step to fulfill her own wild fantasies!"

The lead character in LES CHIC is one of the weirdest characters in any movie. Did anyone ever walk around dressed like that? Yup. The 1970s was a wild era.

LES CHIC (1972) starring RENE BOND Directed by NICK PHILIPS Les Chic is a young, fun-loving San Francisco gigolo known for his funky, far-out clothes, his smooth way with the ladies and his ability to please them all day long. Every morning Les preps for the day's adventures, and it's not before long that he finds himself up to his neck in beautiful women. On this particular day, Les first hits it off with the voluptuous Rene, who gives him everything she's got and takes in all that she can.inch by endless inch. Then it's "see you later," and over to a scorching and graphic three-way with luscious lesbians "L" and "S." Day 2 finds more of the same for busy Les - but this time even wilder and more uninhibited.

"Martine wants her husband Brian's wealth. Using her magnificent and luxurious body to lethal precision, Martine causes his death by heart attack. But she discovers that one person still stands in her way of "easy street," and that person is Lynn - Brian's beautiful neice. Lynn is the sole beneficiary of his will, and she comes to live with Martine for a short time. Using Lynn's fondness of her to an advantage, Martine introduces the blossoming nymphette to her lustful female friends, a life-style of excess, and the splendors of uninhibited lesbian encounters!"

DR. CHRISTINA is a XXX film starring Ushi Digard but, as always, she does not work "hard." That said, her climactic lesbian encounter is pretty strong close-up stuff.

The bonus feature SEX NURSE is entirely different, being more conventional hardcore fare directed by God-knows-who. It's a very earthy production full of the ultra low-budget touches that mark the 16mm storefront feature. Filmed in a conventional office, the hospital setting is established solely by people wearing lab coats. The low budget highlight is a gynecological exam performed on a desk complete with telephone and pencil holder.

DR CHRISTINA OF SWEDEN (1970) Directed by NICK PHILIPS. The stunning and voluptuous "Dr. Christina" writes sex-related stories and columns for a Swedish tabloid. Sent to France by the newspaper and thrilled by her first taste of Paris, Dr. Christina's first task is to interview French young people about their opinions on sex in the age of Free Love. She quickly learns that actions speak louder than words the moment she happens upon an eager young couple in the throes of non-stop lovemaking. Turned on by her voyeurism and the prospects for a great news story, Christina herself is primed for some action. That night finds her feverishly dreaming of an ultra-erotic encounter between two women sporting kinky lingerie, eager tongues and probing fingers. The following day Christina roams the boulevards of Paris hot for sensual satisfaction. Will a café performance featuring two lesbians that mirrors her previous night's dreams be enough to satiate her?

WENDY'S NAUGHTY NIGHT was made right on the near-XXX to XXX transition, and contains a mix of content, including a threesome that is about the strongest non-insertion scene I've ever seen anywhere. It's so graphic that you don't really notice that "it" doesn't quite ever end up "there."

The more I see of Nick Phillips' movies, the more sure I am that he was one of the GREAT erotic film-makers. His movies are distinctive and different, applying his dreamy and wonderfully photographed 1960s 'Adults Only' grind-house sensibility to 1970s XXX. He made sexploitation, softX and XXX in the same trippy, beautiful way.

"This installment of After Hours Cinema's ever expanding Grindhouse Feature Series celebrates the guys and gals of the Golden Gate grind scene, offering up a tasty three-fer of Pacific flavored porn guaranteed to make you think an earthquake just struck in your pants. Tucked away in their filmmaker's archive since they were theatrically distributed back in the Sixties and Seventies, Nick Philips skin flicks present a time capsule of their era. His stylishly colorful chronicles of the hippie lifestyle constitute only one of his most important achievements. For Philips used the exact same approach in over two dozen movies and yet still can surprise even the most seasoned viewers of his work with left-field plot developments, sudden technical flourishes, and the most unpredictable finales."

"The three pics in this collection are perfect examples of his very special grindhouse formula, and the unpredictability that makes these movies supremely watchable. The featured movie, Wendy s Naughty Night (1973), is a step forward in Philips' style and is the more sex-filled of the two Philip films featured herein, but Siv, A Swedish Girl (1971) winds up being his ultimate statement on the free love /hippie phenomenon."